A web series featuring short vignettes about the life of Erik T. Gershbach, an awkward yet boorish slacker. Each vignette invariably culminates in a minor embarrassment (usually a social faux pas of some kind).

The series starred stand-up comedian Rondell Sheridan in his first headlined TV series, as a child psychologist and family man who has a remarkable ability in connecting with his young patients.

A minor league hockey player struggles with the massive ego of his team's new owner, a hockey legend who was once his childhood hero.

Upon coming home for dinner with his dad, a young man realizes that his father's grief over a tragic loss may be evolving into something more complex.

Two teens girls scheme their way out of work to spend a day at the beach. Things don't go as planned.

凯西·朴·洪（Cathy Park Hong）在羞耻、猜疑和忧郁的氛围中长大。后来她明白，当美国式的乐观与你自身的现实相矛盾，当你相信别人告诉你的谎言时，就会产生这些感受。

暂无剧情简介

"The choice of each period is intimate, as each period awakens a particular emotion in me. This emotion reflects what is around me, not everyone is able to recognise it -- that is the risk I take. I think that this is good enough reason to make a film that will make visible small yet revealing things in differeent ways. I believe in tropisms and that is what interests me in this film." -- Marie Vermillard [taken from London Film Festival 2006 catalogue]

Minor Raja (Rajendra Prasad), was a rich man and wayward village playboy, who spent his time in brothels like his father. Santhana Lakshmi (Shobhana) and Minor Raja fell in love with each other. Minor Raja and President (Kota Srinivasa Rao) were in a feud for several years. In a misunderstanding, When Minor Raja's detractors wrongly accuse a teacher Seeta (Rekha) of having an affair with him, he decides to marry her to save her the humiliation. Minor Raja had to marry her. A few years later, Minor Raja became the perfect husband and had a son. While Santhana Lakshmi was still unmarried, she teased Minor Raja whenever she got the opportunity

With the aid of four actors in a rehearsal room, filmmaker Nur Fibak lays open the police investigation and court proceedings against the man who had molested her, revisiting the case as it unfolded from the moment she decided to seek justice. The film opens a unique window into the workings of the Israeli criminal justice system in sexual offense cases. Behind closed doors, during the cross-examination, everything is permitted, including asking invasive questions, doubting the woman on the witness stand, and forcing her—that same traumatized child, now grown up—to experience a second kind of abuse.